Lauren Groff’s ARCADIA really gripped me and that’s why I picked up FATES AND FURIES and I had very few expectations about it. I missed the reviews, the online chatter and the fact that it was Barack Obama’s book of the year in 2015. From the back cover there was no hint whatsoever that this was anything other than a portrait of a fascinating couple and life inside their marriage. Much of it is exactly that – Mathilde and Lotto seem well matched, happy and resilient. They have their struggles and differences but they are a team and confront adversity together or give one another space as wisdom dictates. From their first encounter at a party, where Lotto proposes on the spot to the enigmatic beauty, to his collapse in the domestic countryside idyll they occupy with their dog, the pair defy both their friends, who place on bets on how long they’ll stay together, and his doting mother, a wealthy, obese agoraphobic who never meets her daughter in law. There’s a cast of secondary characters but Lotto and Mathilde are the leading lights in one another’s lives and on the pages of FATES AND FURIES. An actor falls just short of greatness but is encouraged by Mathilde to become a far more successful playwright, Lotto’s perspective dominates the first section of the book. We learn about a golden childhood, marred by losing his father at a young age, an abusive teacher and the suicide of one of his best friends. Lotto craves adulation and sex, and pursues both with singular determination, even as a monogamist. His wife, provides both, willingly and indulgently. Her sacrifice and loyalty are clear for all to see but Mathilde is no insufferable walk over: she challenges Lotto, stirs him to fulfill his potential, and we are always acutely aware that her own remarkable talents go way beyond simply supporting him.
And then Lotto dies and we get Mathilde’s side of things, which couldn’t be more different.
Much like in GONE GIRL, everything we thought we knew about the pair’s relationship is completely blown apart. Not only is she not the person Lotto and we believe her to be, all the facts and events we had a handle on are now turned upside down and inside out. Frighteningly intelligent, scarily manipulative and deeply intriguing, Mathilde’s relationship with Lotto is one of secrets, deception, frustration and lies – yet he never had any idea.
It’s a clever book – more than worthy of Mathilde’s imagination – and I especially loved the section after Lotto’s death (thought the dream sequence in which he dies is deeply irritating). But my enjoyment, I am sure, was all the fuller for having no idea what was coming, no expectation whatsoever that things would be turned on their head. Usually I like to know roughly where books might be going before I read them but this experience is a great advert for not having that insight, though I do appreciate I’ve denied anyone reading this review the same opportunity, Thankfully, Groff’s writing and style is impressive enough to allow FATES AND FURIES to stand regardless and, whilst future readings might not be as impactful as the first, they are almost guaranteed with a book this different, energetic and well written.