This book reminded me enormously of John Boyne’s THE THIEF OF TIME because the main protagonist is a man who does not age. In this instance, Tom Hazard, born in 1581 has worked for Shakespeare, dined at the next table from Charlie Chaplin, witnessed his mother being drowned for witchcraft, sailed with Captain Cook, and drunk cocktails with F Scott Fitzgerald. Yet he can still pass himself off as 40 odd years old when he applies to teach history in a London comprehensive, a stone’s throw from where he lived with his one true love Rose, victim of the Great Plague.
HOW TO STOP TIME is, on one level, the story of Tom’s quest to find the child he had with Rose – a daughter named Marion who inherited her father’s condition and from whom he was separated when Tom was forced to flee is family to keep them safe from superstitions of the day. This quest has seen him become indebted to 900 year old Hendrich, who heads up a society dedicated to tracking down other “albas” or albatrosses and keeping them safe from discovery from the mere mortals known as “mayflies” that die after around 70 years. Hendrich promises Tom he is making full use of all the society’s extensive resources to hunt for Marion too and in return expects Tom to help him draw the other albas that surface into the society. Motivated by a paranoid fear of becoming the victim of a biotech company science experiment, Hendrich makes all the albas in the society start their lives over every eight years to avoid detection. One of the tasks he entrusts to Tom is reeling in newly discovered albas – or killing them if they refuse to cooperate and therefore risk putting the other members of the society in jeopardy. When Tom is sent to Australia to enlist Pacific Islander Omai, who he has not seen for hundreds of years, he finds his old friend has a different take on longevity and life’s purpose, putting them both on a collision course with the increasingly unhinged and obsessive Hendrich.
On another level this is a beautiful love story. Tom’s loyalty to Rose is sweetly conveyed and evocative of a time when love seemed so much purer and simpler. His return to London is a pilgrimage to his memory of Rose and yet, for the first time since she died, Tom meets someone else there to whom he is attracted – Camille, a fellow teacher at the school where he ends up working. Torn between Rose’s memory and a desire to experience the present again rather than just mark time, Tom starts to struggle with the logic which has governed his life for so long, making him cautious about not forming ties for example. He soon finds himself unable to overcome the pull Camille is exerting, throwing caution to the wind and opening up to her about his secret.
On yet another level, HOW TO STOP TIME is a commentary on our relationship with the past. It dwells on the way we repeat the mistakes of the past – “we had done what so often happened in the proud history of geographic discovery. We had found paradise. And then we had set it on fire.” Haig ponder humankind’s apparent ability for endless self destruction. It’s full of comparisons between events now and those in history – “Superstition is back. Lies are back. With hunts are back”. He takes every opportunity to send up the present – “No one I knew in the 1600s wanted to find their inner billionaire. They just wanted to live to see adolescence and avoid body lice.” And despite lines like this he mostly romanticises the past, successfully getting away with it and helped by the fact he’s subtly avoided this being a historic novel that requires accuracy and instead the history is just part of the clever conceit he has created. This is a writer supremely confident with his subject matter and he never labours these big underlying themes.
What I loved most about HOW TO STOP TIME though, was how it works as a reflection on what it means to live – and how difficult it is to simply inhabit the present moment, no matter whether that moment is in 1581 or 2017. Rather than relishing his virtual immortality, Tom is weary of life and only keeps going because of his desire to find Marion, and in doing so himself. He struggles throughout to be actually here in the now, to stop the ghosts of other nows from getting in. Meeting Omai again opens Tom’s eyes to how this might be possible, as does falling for Camille. He learns that happiness is not about living an ordinary mayfly life, but about finding the point of living the life you have. That even when love is dangerous it’s the whole point. And that “In those moments that burst alive the present lasts for ever” because “the only way to stop time is to stop being ruled by it.”
I wanted to live in this book forever.