Category Archives: thriller

THE GIRL WHO TAKES AN EYE FOR AN EYE by David Lagercrantz

The latest installment in the Millennium series sees  Lisbeth Salander come to the defence of a young Muslim girl, in prison for murdering her brother,  the exposure of more shocking revelations about her own past, and a social eugenics experiment that separates high achieving twins at birth.

The core cast is the same. Lagercrantz introduces a new perspective on violence against women with  an honour killing whilst remaining true to how we expect Salander to respond. And the  journalist Blomvkist is back in prime bed hopping and investigatory mode. But that’s where the similarities with Larsson’s books ends. Most notably the energy that Salander and Blomvkist exude is largely absent. In fact we barely spend any time with her, despite her being the real draw of the series, and the book suffers as a result. Lagercrantz’s new characters are either pantomime villains or bland victims.  And unlike the clever complicated plots Larsson wove, this story has over complex threads that never really come together, some even just fizzle out. It’s still gripping stuff but not anything like as good as it ought to be given what the author has to play with.

Disappointing.

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THE ICE by Laline Paul

I was reading this as Hurricanes Irma and Harvey struck the Americas and an estimated 40 million people were affected by flooding in South Asia. Anyone who still thinks the climate isn’t changing and that the effects are not dangerous isn’t paying attention. Paull has set her novel in a chilling and not too distant future when the Arctic sea ice has melted and multi nationals compete to exploit the new business and shipping opportunities that have opened up. It revolves around two close friends, Greenpeace campaigner Tom Harding and his university friend and global entrepreneur Sean Cawson. It opens with a cruise ship  detouring for a rare sighting of a polar bear and instead finding Tom’s frozen dead body, revealed by the melting ice of the Midgard glacier.

What ensues is a fascinating story about the pair’s different journeys and choices, a searing commentary on the corruption, lies and motivation of the corporations seeking to profit from investment in the Arctic region, and a thrilling and emotionally charged drama as the inquest into Tom’s death unfolds. Sean trades in exclusivity, discretion and powerful connections. He has created a retreat at Midgard for the world’s elites – and Tom has been persuaded to get on board to provide ethical and environmental credibility. When a visit to Midgard ends in tragedy, Sean is forced to confront his role in events and the value of the life he has created for himself.

The beating heart of THE ICE is a tension between two different takes on humankind, captured in one particular scene between Tom and Joe Kingsmith, Sean’s long term mentor and financial backer. The latter mocks Tom’s idealism: “Your beautiful idea of everyone pulling together only happens in the movies, war and sport”. Tom counters with an assertion that “People are better than you think.”  Paull uses small but perfectly chosen details to illustrate the vast gulf between Tom and Sean’s ideologies – one of my favourite is an aside about the Tom Harding Bequest, his friend has established, worth £100,000 and set to awarded in the first year to “Imperial College for the newly patented biodegradable Fruit-Fly drones, nano-tiny and with unprecedented maneuverability”. Very little could be further from the natural world that’s been the focus of Tom’s life work.

The friends share an lifelong obsession with the Arctic and each chapter is prefaced by a short passage taken from older writing and accounts about the region – including the effects of gangrene and an 1893 excerpt from an explorer’s journal which describes movement in the ice as “Nature’s giants… awakening to the battle.” The overall effect is of a moving and very gritty eulogy for the frozen region we have lost forever. “Climate change was too big to care about, too vague to talk about, and was just – unsexy” reflects Sean at one point. Paull has proven that literature has a leading role to play in challenging that perception. But THE ICE is a gripping story even without its dramatic backdrop of climate breakdown and Paull doesn’t labour her environmental subtext – she doesn’t need to when it speaks  so powerfully for itself. Lines like “Record deaths this month both sides of the Schengen Fences” seem almost throwaway.  The combination of personal conviction, politics and corporate greed really made it stand out for me though. A truly impressive book and a more than worth follow up to THE BEES. If it doesn’t touch you deeply, you aren’t paying attention.

 

1893

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YOU DON’T KNOW ME by Imran Mahmood

The idea of this bold debut novel is really smart and original. A young man, in court facing murder charges, sacks his lawyer and makes his own closing speech, arguing that the jury deserve to know the whole truth, not just the sanitised, edited version he has previously been advised to tell them. The truth is a story involving drugs, gangs, guns, corruption, modern day slavery and  extortion. Most importantly, it gives the jurors insight into a world none of them is likely to have experienced – other than perhaps as news headlines – and into the difficult decisions a young black man growing up in London’s subculture faces every day.

Mahmood is himself a lawyer so, as might be expected, the novel is one long well crafted argument, rich in precise detail. The defendant’s voice is credible and authentic – even as his story stretches credibility and exposes him on a number of fronts, including as a liar. That conflict is at the heart of YOU DON’T KNOW ME, which raises all kinds of challenging moral and legal dilemmas. If someone has been dishonest once, does that mean everything they say is untrue? If they have broken other laws, does it mean they are guilty of murder?

Set out as a court transcript, this book had me rattling through it and I was entirely caught up in the world Mahmood has captured, as well as the twists and turns of the defence statement. And then the book finished – really abruptly – and I almost hurled it across the room. Not just because of the abruptness, but because we never learn if the defendant’s found guilty or not – and I really wanted to know. I get that the reader is the jury and gets to make up their own mind but I was expecting more than that – I wanted to cheer if the defendant got off and be angry if he didn’t. I get that Mahmood is writing about moral ambiguity, and how innocent until proven guilty means suspending disbelief, and how what really matters is the truth, but none of that would have been lost by giving us a verdict. The absence of one made me feel hoodwinked and spoilt what, until that point, had been a brilliant novel.

So if you don’t mind books that end with more questions than answers, I’d thoroughly recommend YOU DON’T KNOW ME, for it’s hugely successful attempt to take on some of the prejudices and tensions at the heart of the justice system. If, like me, you prefer books that end with clarity and resolution, you have been warned.

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HE SAID/SHE SAID by Erin Kelly

he said she said by erin kelly

Laura and Kit witness a rape whilst at an eclipse festival in Cornwall.They call the police and are called as witnesses in support of the survivor, Beth Taylor. So begins a nightmare that sees their lives turned upside down and their trust in one another destroyed.

Kelly deploys the classic unreliable narrator technique to great effect here and I never really knew who was being honest or accurate. She steadily reveals crucial details and doesn’t give too much away until right at the close. It’s a very atmospheric novel too, with a growing and claustrophobic sense of the past closing in on the present, and an ever present undercurrent of latent violence. Laura’s pregnancy and high levels of anxiousness, coupled with Kit’s obsession with chasing eclipses moments all add to the mood.

Clever, never cliched and deeply compelling, this is Broadchurch in book form (and in fact she has written a best selling novel inspired by that TV series). Perfect for the beach and whiling away sunny days.

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THE CUCKOO’S CALLING, THE SILKWORM & CAREER OF EVIL by Robert Galbraith

There’s nothing like a trilogy of crime novels to kick off the summer holidays and make lying on a beach in 30 degree heat even more appealing. When that trilogy features a broke, troubled and cantankerous army-veteran-turned-private-detective named Cormoran Strike, and is penned by JK Rowling writing under a pseudonym, things cannot get much better.

Each book deals with a different distinct case, giving Rowling the chance to employ her prodigious story telling skills and plenty of opportunity to skilfully and gradually develop her main characters. THE CUCKOO’S CALLING revolves around the suicide of a troubled but glamorous young model. THE SILKWORM is set in the literary world and soon sees a missing husband turn up as a the victim of a particularly grisly murder. CAREER OF EVIL is easily the darkest of the three, featuring as it does a serial killer obsessed with severing body parts.

Starring in them all is also Robin Ellacott, originally hired as a secretary and soon taking on the role of Strike’s side kick. Her relationship with him and with her jealous fiancee brings a lovely warm human element to the books, offsetting what is otherwise some quite grim content. Rowling has done herself proud in every way though and I devoured the whole series, loved Strike and was cheering for Robin from page one. Perfect holiday reads.

If you don’t fancy the books, the BBC has made THE CUCKOO CALLING into a TV series, starting August 26th and starring Tom Burke from The Three Musketeers and Holliday Grainger (random fact – she was in the same dance classes as my daughter when they were both small children!). I’ll be tuning in…..

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BEFORE THE FALL by Noah Hawley

It seems that almost every modern day US based book  and TV programme or film I watch at the moment is speaking to me about Trump’s America, and BEFORE THE FALL is no exception, featuring as it does a news channel established to make news rather than report it and an outspoken host Bill Milligan that specialises in fake news and in telling us “what we wanted to hear, which was that the reason we were losing out in life was not that we were losers but that someone was reaching into our pockets, our companies, our country and taking what was rightfully ours”.

The book opens with a private jet crashing into the sea a few miles from Martha’s Vineyard. On board were media mogul and David Bateman, his wife Maggie and their 2 children, his security detail, a small crew,  a Wall Street financier, Ben Kipling, and his wife,  and a painter, Scott Burroughs, who Maggie knows from the farmers market.  Only Scott and the Bateman’s 4 year old son JJ survive, thanks to a daring rescue which sees Scott heroically swim for several hours to shore, JJ in tow.

From this action packed start, the novel evolves into something much subtler than the thriller I first expected. It alternates between looking forward and the aftermath of the crash, and looking back at the every day and not so every day events that preceded each passenger stepping on board the plane. Driving everything is the the unresolved question of whether the crash was an accident or not, as investigators hunt for the bodies and wreckage to try to piece together what happened. What they’ll never discover is the same level of privileged access into each individual’s state of mind that Hawley allows his readers, yet this knowledge doesn’t give us any extra insight into what caused the crash – that happens in real time as the investigating team firstly see the wreck though camera’s strapped to divers’ helmets, then study the readings from the black box, and finally hear a voice recording of the co-pilot as the plane goes down. The penny drops for everyone simultaneously.

Who knows what and how is a recurrent theme of the book, with Milligan hacking Scott’s phone and using his TV show to reveal all kinds of “secrets”. Its runs parallel with another theme about watching and being watched, with Hawley posing a series of questions about the relationship between camera and individual, how we are affected by it and what  it looks like when the media crosses a line and reporting becomes intrusion. “Does the television exist for us to watch…or do we exist to watch television?” His treatment of corporate America and the wealthy that inhabit it is scathing. Some of the most memorable scenes are those involving Kipling’s aggressive lawyer, the saddest those in which JJ’s aunt comes to terms with the greedy entitlement of her waster husband’s response to  the boy’s inheritance.

BEFORE THE FALL is a smart and insightful book that is a particular kind of success because it captures the space between the selves we choose to project, the ones we seek to define – “the unemployed mother of a toddler or, more precisely, the pampered wife of a millionaire” is Maggie’s variation  – and the ones our actions may or may not reveal. Family features strongly, as does the idea of life as one long lesson, that sometimes “the only way to learn not to play with fire is to go up in flames”. And as Hawley  explores both what constitutes the truth and what makes someone a survivor, I really like that in a messy, morally challenged world he grants his characters control of these very simple things.  It’s this that raises a cracking good story to another level and what kept me turning page after page long after I should have been asleep. It’s this that I want to hear about Trump’s America.

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FOOL ME ONCE by Harlan Coben

fool me once by harlan coben

Sometimes I need books like this – addictive, straight forward and a bit dark. For times when escapism comes a little less easily because I am travelling or my mind is buzzing or the world is weighing heavily. I picked this up because all of those things were going on. It is got me through some restless nights, tough days and long train journeys. It is a ridiculous story about a former special-ops soldier, Maya Stern, who has just buried her husband and then sees him on the “nanny cam”. Cue sinister wealthy in laws, army flashbacks, improbable connections to the death of Maya’s sister, an Edward Snowden type character and suspiciously loyal best friends. Harlan Coben is a master of this stuff and I loved and lived every moment of it. Job done.

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