It’s 1948 and Flora Mackie is on an airplane heading for the Arctic Circle. She’s seated next to a young and irritating journalist, who insists on asking Flora all sorts of questions, when all she wants to do is remember….
This is an epic adventure and love story, with a mystery at its heart. From Flora’s first expedition aboard her father’s whaling ship in 1889, she falls head over heels with the ice, snow and people of northern Greenland, forging friendships that will last a lifetime and which are repeatedly rekindled when she heads up her own scientific expeditions to the Arctic as an adult. Flora breaks ground time and again, as a woman and as an explorer, railing against her male rivals and the media that have dubbed her ‘Snow Queen’. But she is limited in what she can do alone and all too often has to rely on men to help her fulfill her dreams. Flora’s passion for the North is matched only by her passion for Jakob de Beyn, an American, with whom she crosses paths when he’s a geologist on an expedition led by the ruthless Lester Armitage. There’s an inevitability about the doomed relationship between these star crossed lovers that’s only in part down to the reflective structure of Penney’s narrative, but it doesn’t detract from the intensity of their connection – or the heat they make to keep out all that cold. The erotic heart of the novel burns deeply and is all the more powerful for being set in a context that’s interesting in its own right, as well as unpredicatble. For example, Armitage’s lies, recklessness and treatment of the Inuit in particular cast a new and less than flattering light on the brave explorers mythology that persists, even today.
Penney writes in exquisite detail of the discoveries made in the region at the time, of Flora and Jakob’s exploration of one another’s bodies, and the emotional landscapes they traverse as they conquer the inhospitable glaciers and frozen seas of the North. The ice is smelled as well as felt, heard and tasted. She’s created too in Flora in particular a beguiling and eminently likeable and admirable central character, and in common with Jakob, one who is the very definition of principled and good without being dull or smug. Penney also manages to craft a narrative that moves around in time and is at times timeless, and to do so with a clarity and mostly leisurely momentum that’s somehow difficult to resist. Every bit as good as THE TENDERNESS OF WOLVES, UNDER A POLE STAR is a beautiful story with a dark edge, beautifully told.